.... and have a good laugh.
From 7.21.05:
I want: to shave my head, to cover my arms with ink, to further diminish my curves, to wear my glasses more often, to cut my wardrobe in half, to finish school, to get a job at an accepting alternative type high school where I am free to be who I want to be no matter what the day or month, to write and be successful with my craft.
And I will.
I penned that during the summer before my final year of undergrad work, while I was in a dying relationship with a woman I rarely see, and never speak to, now. I was working in a bookstore, which had its perks. I was fumbling through a world I didn't really fit into. At that time, I think I had about 3 tattoos.
I still want more, I still want to "cover my arms with ink."
I never shaved my head... the hair has grown, been chopped off twice, grown again, and now is short. And that's my comfort. For the moment, anyway. It's me. For now, I think.
I never got rid of my curves. I probably never will. These hips are here to stay, jutting as they are at times. I still don't love my curves, but I do love my body. 90% of the time, anyway, mostly.
I want lasik, not glasses.
I could be on an episode of Hoarders for the amount of t-shirts I own. And I'm not ashamed.
I finished school, quite well, and got that job teaching high school. But: this is not an alternative, terribly accepting place of employment. It's accepting enough, but I'm not protected, and truth be told, this is not the job I want for the rest of my working life. It's not even the job I aim to have in five years. In 8-9 short-ish months, I will be finished with my MA in English and then... then I can begin to find a new path.
Don't get me started on the writing. And how unbelievably it leaves me.
There is just so much more I want to be.
Showing posts with label work in progress. Show all posts
Showing posts with label work in progress. Show all posts
Thursday, November 25, 2010
Friday, October 02, 2009
Where do we go from here
One of my coworkers ran into me in the hall today. She was on the wrong floor; I rarely see her otherwise, but always, always enjoy our stream-of-consciousness conversations.
When she saw me today, and after she realized she'd gone up an extra flight of stairs, she said: "You know, you should really be on tv."
From there, we talked about vocabulary, lexicon-flexing, teaching English, expressions, immersion, Middlesex, homosexuality, ES classes, epiphanies, influence, change, growth, Dr. Ruth, and so on. I so thoroughly love those conversations, the kinds that spread over landscape and grey matter without effort. Complete ease, unsuspecting flow.
As we parted ways, she turned and called over her shoulder: "So what are you going to be when you grow up?"
Without hesitation (there may have been a slightly abashed shrug, because for as much as I like to talk about myself, I worry that people A) don't take me seriously, and B) see me differently than I see myself because, yes, I can be dense/a little slow on the uptake/silly-excited about the most minute things/and occasionally I think I don't show my intelligence simply because I don't want to) I said: "Finish my masters. Get my PhD. Go teach college level. From there... wherever it all takes me."
And write. Sometimes, all I want to do is write. It's just that the words get stuck on my ribs, stuck in my fingertips, smeared around my teeth and tongue and nothing comes out the way I expect it to. But, I write.
And I write because I generally can't form sense with my voice.
Part of this, all of this, is because of my dirty habit called Over-Thinking. I place too much value in not only the things that people say to me, but also the way that they say them. I pay more attention to tone than I do to body language. It's easier; I hear more than I see. Maybe I pay too much attention. Or maybe I don't pay enough.
Labels:
academia,
ithinktoomuch,
self-analysis,
why_I_write,
work in progress
Thursday, September 03, 2009
This picture
Sketch the walls first:
the slates of color washed about strips of blank
canvas, unburdened by what may lie in this past
and shielded from what may yet come.
My heart is not like that. It never
has been.
But the walls streamline the scatter of my life
within these boundaries- the flourish of self
locked down by expectations and qualifications.
It doesn't ever matter
because my mind flails like a squid thrown from home.
Space divided by time and conflict; sometimes
I'm glad you're not here.
Labels:
academia,
fragments,
la lengua,
obscure object,
work in progress,
yen
Monday, August 31, 2009
I'm a storyteller but I'm the worst kind
My muse has escaped me.
It struck me today- midday- because today was Talk About Poetry Finding You day, and there was Neruda with his infinitesimal pinpricks and Giovanni with her no-limits poetic explosion, and there I was: empty-minded.
I wrote because I told myself I had to, because I am trying to be more disciplined with my writing, and mostly because I always promise my poetry class that I will write every time they write. It's a fancy trick, that class. Last fall, I couldn't stop writing. Stanzas were thundering off the margins of my notebook. Theme, purpose, creativity itself deserted me: often, I was more a student than a teacher. I sat in the thick of creation.
But now. Muse? Whipped right out of me. I don't know when/how/why she left me. Maybe she's hiding. Maybe I've accidentally smothered her. Maybe I'm not suppose to know.
(Honestly: I think my muse collapsed into my Obscure Object, which undoubtedly caused some creative complications, and I'm not exactly willing to speak further on that at this moment.)
But a word (or many) about writing + me. I don't know when it began; it has simply always been there. It started full-force circa the age of 12 with highly improbably-set "novels" that I never finished. Then entered the journals, all but one of which are still hiding out in my closet, that captured an unbelievable amount of daily- though never mundane- details. [I forget the simplest things, but my memory is tightly wound and I never forget the things I want to remember.] Somewhere in the last two years of high school, I discovered blogging. My first blog (still alive, at times completely embarrassing, but ultimately totally entertaining- maybe just for me) carries on the tradition of the paper journals: detail after detail after detail. Some coding exists in place of real names, and I confess that I can't decipher all of it. When LiveJournal became "all the rage," I got one. Then a second. Then a third. Over the last eight years, I've opened at least 6 LiveJournals; today just three remain; one is infrequently updated.
Something happened in my transition from blogging to LJ-ing. I lost a part of my writer's voice in the shuffle. It took a couple of years for me to realize this, but I never did anything about it until two summers ago. I then returned to my original blog and brought a modified voice to it: that of someone who had learned the fine art of ambiguity.
But again, something was off. I needed that sensationalized clean slate, so I started fresh with a new blogspot (hello, clean slate). After a significant transfer of posts, the writing started to come back to me. The ambiguity hit a new all-time high, and the coding began again. I took this blog underground last winter or spring, but have since gone "live" once more. I'm still not sure how I feel about that, but I was tired of being undercover. I was tired of letting loose only to pull everything back in.
You can trace all of this ambiguity and vagueness to my Obscure Object- which, admittedly, has taken on a few different forms over the last 10 years. But this is another story for another (blog)post.
Maybe I don't need my Obscure Object-corrupted muse. I generally don't believe that I have one, and truthfully, I'm currently using it as an excuse for my lack of word-flow. Or maybe this is just a concrete representation of how much has changed in my life from this point one, two, even three years ago ----> to how my life exists today. Maybe I need to make more mix cds because I tell the best stories with other people's music and words. Maybe none of this makes sense.
Years ago, at what I now realize was an incredibly important and life-shaping proverbial fork-in-the-road, I wrote this: "...because everything here has been so 'almost.'"
It's true: almost.
It struck me today- midday- because today was Talk About Poetry Finding You day, and there was Neruda with his infinitesimal pinpricks and Giovanni with her no-limits poetic explosion, and there I was: empty-minded.
I wrote because I told myself I had to, because I am trying to be more disciplined with my writing, and mostly because I always promise my poetry class that I will write every time they write. It's a fancy trick, that class. Last fall, I couldn't stop writing. Stanzas were thundering off the margins of my notebook. Theme, purpose, creativity itself deserted me: often, I was more a student than a teacher. I sat in the thick of creation.
But now. Muse? Whipped right out of me. I don't know when/how/why she left me. Maybe she's hiding. Maybe I've accidentally smothered her. Maybe I'm not suppose to know.
(Honestly: I think my muse collapsed into my Obscure Object, which undoubtedly caused some creative complications, and I'm not exactly willing to speak further on that at this moment.)
But a word (or many) about writing + me. I don't know when it began; it has simply always been there. It started full-force circa the age of 12 with highly improbably-set "novels" that I never finished. Then entered the journals, all but one of which are still hiding out in my closet, that captured an unbelievable amount of daily- though never mundane- details. [I forget the simplest things, but my memory is tightly wound and I never forget the things I want to remember.] Somewhere in the last two years of high school, I discovered blogging. My first blog (still alive, at times completely embarrassing, but ultimately totally entertaining- maybe just for me) carries on the tradition of the paper journals: detail after detail after detail. Some coding exists in place of real names, and I confess that I can't decipher all of it. When LiveJournal became "all the rage," I got one. Then a second. Then a third. Over the last eight years, I've opened at least 6 LiveJournals; today just three remain; one is infrequently updated.
Something happened in my transition from blogging to LJ-ing. I lost a part of my writer's voice in the shuffle. It took a couple of years for me to realize this, but I never did anything about it until two summers ago. I then returned to my original blog and brought a modified voice to it: that of someone who had learned the fine art of ambiguity.
But again, something was off. I needed that sensationalized clean slate, so I started fresh with a new blogspot (hello, clean slate). After a significant transfer of posts, the writing started to come back to me. The ambiguity hit a new all-time high, and the coding began again. I took this blog underground last winter or spring, but have since gone "live" once more. I'm still not sure how I feel about that, but I was tired of being undercover. I was tired of letting loose only to pull everything back in.
You can trace all of this ambiguity and vagueness to my Obscure Object- which, admittedly, has taken on a few different forms over the last 10 years. But this is another story for another (blog)post.
Maybe I don't need my Obscure Object-corrupted muse. I generally don't believe that I have one, and truthfully, I'm currently using it as an excuse for my lack of word-flow. Or maybe this is just a concrete representation of how much has changed in my life from this point one, two, even three years ago ----> to how my life exists today. Maybe I need to make more mix cds because I tell the best stories with other people's music and words. Maybe none of this makes sense.
Years ago, at what I now realize was an incredibly important and life-shaping proverbial fork-in-the-road, I wrote this: "...because everything here has been so 'almost.'"
It's true: almost.
Labels:
1999,
la lengua,
obscure object,
processing,
work in progress
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